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During the tours it is possible to practice how to
Evaluate a Wine
Should you like to start trying to evaluate your wines before you go on a
tour, here’s the points you should check when tasting.
Remember that wines should be served at the same temperature
at which they would be served with a meal. The approximate temperatures are:
- Full-bodied reds: 65-68ºF
(18-20ºC)
- Light-bodied reds: 50-65ºF
(15-18ºC)
- Dry whites: 50-60ºF
(10-12ºC)
- Sparkling and sweet whites: 40-45ºF
(5-7ºC)
Wine Information
-
Type
-
Vintage (year)
-
Appellation
-
Producer
-
Cost
Wine Evaluation
APPEARANCE
-
Color:
White:
Colorless, Pale Green, Pale Yellow Green, Dark Green, Pale Yellow, Straw,
Dark Gold
Red:
Light
Red, Medium Red, Dark Red, Red Orange, Medium Purple, Dark Purple, Dark Violet
-
Clarity:
(wines should be brilliantly clear, unless they are samples taken directly
from the barrel. Residues in the bottom of the bottle are acceptable)
Positive:
Brilliantly clear, Clear
Negative:
Dull, Distinct Hazy,
Cloudy
-
"Legs":
(Legs form because wines
contain a mixture of water and alcohol; they evaporate at different rates
and have different surface tensions. Alcohol evaporates faster than water,
causing the surface layer to have a higher concentration of water. Alcohol
evaporates fastest where the air and the glass meet, and so this is where
the highest concentration of water and surface tension is - and thus the
liquid will creep up the side of the glass until it cannot resist the force
of gravity. A wine's legs are mainly water. The more alcohol a wine
contains, the more legs it will generate and the thinner they will become.)
Quantity of streams:
Very Few, Many, Very many
Thickness or thinness of streams:
Very thin, Medium,
Very thick
-
Bubbles
(relevant
only in
sparkling
wines):
Size,
Persistency
(small and very persistent is good)
SMELLING THE WINE - OLFACTORY SENSATIONS
-
Aroma
(pleasant
odors present in the fresh grape
varietals,
for example either of these:)
-
1.
Varietal Aromas:
characteristic aromas of particular grape varieties
grown under proper conditions and made carefully into wine. These aromas
are typical for the variety and easy to pick out in the grape (such as
gewürztraminer and zinfandel) other aromas are brought forth during
fermentation (such as cabernet sauvignon and chardonnay).
-
2.
Distinct:
is the term for aromas that are individual in character, but not
intense enough to permit varietal identification.
-
3.
Complex (a lot of odors are present).
Floral
- acacia, carnation, honeysuckle, jasmine, rose, violet, wildflowers, broom,
and orange blossom
Fruit
- citrus, stone fruit, berries, cherries, red currants, apple, pear, banana,
plum, tropical fruits
Nuts
- hazelnut, toasted almond, walnut
Dried Fruit
- fig, apricot, apple, pear, prune (not good)
Vegetable
- green pepper, eucalyptus, mushroom, dry leaves, wet straw, tobacco, tea
Herbs &
Spices
- basil, mint, bay, cinnamon, lavender, thyme, sage, licorice, pepper,
cloves, nutmeg, vanilla, truffle, fennel, pine, juniper, incense, fern
Roasted
- toast, chocolate, cocoa, coffee, caramel, tar, smoke, burnt, rubber, tar
-
Bouquet
(odors added to wines
as they are made,
if aged in oak and thereafter some time in bottle, the wine will most likely
have aging and bottle bouquet...)
Fermentation bouquet:
Yeasty
(especially
noticeable in young wines)
Aging bouquet:
Oak, vanilla, caramel, toast, burnt, tar
(all odors
extracted from the oak-aging containers, with small quantities of air, and
the reaction between oak and varietal aromas).
Bottle bouquet:
Designates the
greatly increased harmony, complexity, and mellowing of a wine's odors that
are produced during the aging in the bottle.
-
Off
Odors
(undesirable
odors which are foreign to the smell of a sound wine)
Off odors as
listed here may be caused by infected corks, sulfur dioxide, hydrogen
sulfide, and so forth.
Moldy,
swampy, sauerkraut, garlic, onions, nail polish remover, vinegar, oxidized,
chemical...
TASTING - IN MOUTH IMPRESSIONS
When we are examining a
wine we should try to distinguish between the flavor, taste and tactile
sensations we perceive. These are also called structural components and are
the following: Organic acids = Tartness. Sugars = Sweetness &
Body. Tannins = Bitterness & Astringency. Alcohol = Sweetness,
Body & Warmth. Carbon dioxide = Bubbles.
-
Flavor
(the
flavors should correspond to the wines odors)
Tastes like a particular varietal or something you could identify (see
above)
The varietal cannot be recognized but the flavor is more than "merely wine".
Tastes like "merely wine".
It is possible to make notes about
age:
Fresh, tarty, grapey,
perhaps a little too
rough
for optimal enjoyment.
Bottle aging character
has
developed,
tannins are moderated,
mellow, smooth,
ready to drink.
The oxidation process has gone on to long.
Unappealing odors
and flavors and a brown color.
-
Taste
Acidity
Sweetness
Balance (good balance between
acidity and sweetness)
Bitterness
-
Tactile
sensations (touch)
Astringency (refers
to whether or not a wine dries out your mouth)
-
Smooth (low astringency
- ready to drink)
-
Rough (stinginess, very dry in mouth.
For good red wines, it might mean that the wine needs more refining in the
bottle)
-
Very Rough
(often this is the case with red wines right out of the barrel. Aging will
diminish the roughness)
Body (refers to mouth-filling property, mouth feel or weight, viscosity)
-
Thin (watery,
not enough body)
-
Light
(good when speaking of young white wines)
-
Medium
(most reds and oaky whites)
-
Heavy
(late harvest and dessert wines)
Alcohol (refers to "heat" in the mouth,
from an appropriate level to way too much)
OVERALL IMPRESSION
-
Typicality
To complete the
sensory analysis we add a note about our overall impression of the wine. We
sit back and think about how well the parts of the wine relate to each
other, make a judgment of how good the wine is, and consider whether the
wine is typical of, for example, the type, region, producer, or vintage
year.
-
Quality
Among the attributes that distinguish great wines from ordinary wines are
complexity, harmony, and the power to stimulate the emotions. Wines can be
interesting, be well-made, possess varietal character, evidence aging
bouquet, and be typical of their origins without creating a sense of awe in
the mind of an experienced wine taster. Such wines are good and are expected
to be somewhat complicated and somewhat harmonious, but they are not great.
Great wines must have a harmonious, well-balanced combination of sensory
elements: each component belongs and is present in the correct amount
relative to the other components (no inconsistencies encountered in above
sensory evaluations). Great wines make an impact on our emotions and will be
remembered for the sense of awe it creates in us.
Life
span of wine:
Also the potential for greatness after refinement in the bottle should be
realized.
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